Less than a week left now until it all starts!
The AltCom film program hads now been set! It will be Friday, July 29, 1430-18 @ Panora (Friisgatan 19 D). Films start at 15.
There will be NO ENTRANCE FEE and no reservations, so it’s first come, first watch movies.
1500: Stripburger in motion & Hypnagogia
1610: Wanted & Tito on Ice
Stripburger in motion
By: Boris Dolenc
Hypnagogia – Send me the pillow that you dream on
By: Knut Larsson
By: Boris Dolenc
Tito on Ice
By: Max Andersson
At Panora, you can also enjoy the Aniara exhibition by Knut Larsson.
The festival anthology arrived from the printer yesterday!
It’s a 100 page book with comics relating to WORK by an assortment of international artists and it will be given away for free before, during and after the festival. Some of the featured artists will also be present at the festival.
Read more about it here.
The name AltCom is an abbreviation of Alternative Comics. To us, “alternative comics” means making and/or publishing comics that aren’t first and foremost commercially viable. It’s more important to do something that feels meaningful and interesting rather than something that will make you rich. This is why what you’ll find at the festival are smaller publishers and individual artists rather than the big commercial ones.
We also want to give visitors a chance to find new things, to experience what used to be alien or unknown. Because we don’t believe the myth that says you have to be afraid of what you don’t know. We don’t believe that everything needs to be familiar or safe to be appealing. Nor do we think that art (a term which of course includes comics) has to be appealing or adhere to “what people want”.
This doesn’t necessarily mean that you won’t find any comics creators whose works you’ve seen before. This is the fourth AltCom in its current form, and there’s something to be said for continuity as well as for innovation. So this year’s guests will be a mix of familiar and new faces.
All to make AltCom as meaningful and interesting as possible.
So we just came back from the CRACK! festival in Rome, which is more or less the hub/parent/sibling of the European(+) scene for underground/alternative/DIY/art comics & temporary art. The festival gathers hundreds of artists and thousands of visitors under the same roof, or actually in the tunnels under the same fort.
CRACK! is the great inspiration for AltCom and many others, even if the conditions very from country to country. For example, the squatting culture in Italy and Sweden are completely different. If you try to occupy an empty building to turn it into a social centre in Sweden, you will have to deal with a massive police assault on you almost directly. No such squat in Sweden has lasted more than a few months in recent years, and even that is extremely rare. It’s more likely that you will be back on the street within hours. Whereas Forte Prenestino (the social centre where CRACK! is held) celebrates its 30th anniversary as a squat this year.
On the other hand, Malmö is a friendly city and it’s possible to cooperate with a lot of venues (like Folkets Park, Panora, Mitt Möllan and others during the previous AltComs) without having to spend all of your budget just to find a place to have the festival’s exhibitions, comics market, etc.
On the other hand, Sweden is kind of expensive compared to other countries (though Malmö is cheap for Sweden), if not as expensive as Norway or Switzerland, so it comes with some other issues that we need to handle when organizing our event. We compensate by keeping as many parts as possible of the festival free of charge, like tables, entrance fees, festival anthology…
An important aspect of AltCom is that even if the comics fair is an important part of it, since it gives small press publishers and artists the opportunity to sell their books and the public the opportunity to buy them, we focus a lot on the social aspect.
That’s why we start the festival off with a two-day exhibition opening for several exhibitions at once, gathered in the same place. It creates a meeting ground for artists from different parts of the world, to show their stuff, to talk, to drink together and make new plans for the future, as well as meet a public that get the chance to experience something new.
The CRACK! festival is truly a seed for a future that may come, a seed that may be part of creating an atmosphere based on participation, mutual respect, creativity and boundless exchange. And that’s what we also try to be with AltCom, even if we are in Sweden and don’t have a huge squatted-since 30-years fort.
This seed is already bearing fruit. Weeds are cropping up in various places taking different forms, such as:
AFA (Autoproduzioni Fichissime Anderground) Milano (ITA)
Combat Comics Livorno (ITA)
Ratatà Macerata (ITA)
Ca.Co.FEST Bari (ITA)
BORDA Fest – Produzioni Sotterranee Lucca (ITA)
PICS Pescara Intergalactic Comics Show Pescara (ITA)
F.OFF Angoulême (FRA)
Tenderete Valencia (ESP)
Gutter Fest Barcelona (ESP)
Vendetta Marseille (FRA)
PRINTNOIZE Berlin (GER)
Ohoho Festival Zagreb (CRO)
NOVO DOBA Beograd (SRB)
ŠKVER! Art Project Mali Lošinj (CRO)
Fijuk network (Balkans/International)
and of course AltCom and probably many more…
For each AltCom since 2010, we’ve made a festival anthology with comics by artists from different countries, making their own interpretations of the theme of that year.
This is the lineup for this year’s anthology:
Radovan Popovicć / Rashid
Line Høj Høstrup
Teresa Câmara Pestana
Things are taking their shape, slowly growing into something resembling what was planned from the beginning…
Here’s the Facebook event!
Edit 2016-03-31: We got the fundeing for the book through Kickstarter! So we know now that it is happening!
Time to announce the festival anthology of 2016:
We don’t have all the funding secured yet, but there’s a Kickstarter, so let’s assume that everything will be fine and open this call for submissions anyway!
The theme for this year is WORK, and we would like you to give us your stories interpreting that theme.
WHAT we want:
Pages: 1-5, black/white
Format: 140x182mm (a little bit smaller than A5) +5mm bleed on all sides
Files: High-resolution .TIFF, preferably
If you are unsure what we mean by “high-resolution”, please ask. Not sure what we mean by “bleed”? Read this! Lots of artists don’t know, and it’s better to ask than to send us files that we can’t use.
WHEN we want it:
Deadline: May 15
Send submissions to: submissions [at] altcomfestival [dot] se
Please feel free to invite more comics artists to the Facebook event.
As usual, no one gets paid for participating. But on the other hand, no one pays for it either since we’ll be giving the book away for free during and after the festival!
And yes, we do accept comics that have already been published elsewhere, as long as we like them and they fit into the theme.
Ok, here’s what we know now:
The AltCom 2016 festival will happen, and it will happen July 28-31.
The theme for the festival will be WORK and the whole thing will be organized by CBK & Tusen Serier with support (so far) by the City of Malmö.
Thursday & Friday will be based around exhibitions at Mitt Möllan.
One of the exhibitions will be Attention: Work! by Stripburger.
Saturday & Sunday will be the comics fair in Folkets Park.
We also have some ideas for more exhibitions, talks, a film screening and some of the guests, etc, but we won’t disclose all our secrets yet, and there are also a few things we still don’t know. For example, we don’t currently have the funding needed for a festival anthology, but we’re working on it.
So reserve these dates in you schedule, and check this space in a little while to follow any further developments.
The AltCom 2016 festival is organised by Tusen Serier & CBK and will take place in Malmö, July 28-31.
WHAT: AltCom 2016: WORK – international comics festival for alternative/underground comix
WHEN: July 28-31 of 2016
WHERE: Malmö, in the dirty south of Sweden, at The Hybrid and neighboring spaces in Mitt Möllan + Folkets Park
WHY: Because YOU deserve it, you smokers and drinkers
The guest list isn’t complete yet, the exhibitions aren’t all confirmed, but we have the venues (various spaces at Mitt Möllan & Folkets Park) and lots of plans.
In a number of exhibitions, a free anthology (thanks to our Kickstarter supporters) and a comics fair with a mix of international and local comics creators, we explore this year’s theme:
We sell our time, we sell great portions of our lives and how much we are worth seems to differ a lot depending on whom we sell ourselves to, on the work environment and what kind of tasks we have. We are often cheaper the more our work tears down our bodies. Also often depending on who we are, where we come from, etc.
Some work with owning and administering capital and means of production. Others work with cleaning their offices. Some of us work in cooperatives, others in large or small corporations. Some are run their own companies because of their entrepreneurial spirit, others because they have to to get jobs in their line of work. Some are making phone calls, bothering people, and it’s permitted and encouraged only because it’s a job. If you’d do it on your own time it wouldn’t be ok.
And some don’t have a “real” job but do other things, like selling sex, begging, selling drugs. Jobs that don’t count as jobs but follow the same basic rule: you sell goods or services for money, or you satisfy the customers’ view of what you are (the image of the whore, the image of the poor). There is also danger involved; the risk of being subjected to violence both from the people you deal with at work and from the police, the ones whose job it is to protect (some of) us.
And then we have Phase 3 (Swedish measure for long-term unemployed), where employers often receive more money than the ones selling their work through institutionalized coercion. Where people are expected to work for someone who doesn’t provide a real salary. In a way, but not at all, like the slaves who harvest the cocoa, the coffee or the diamonds that we happily consume, pretending that there’s no cost in human blood.
And there is the unpaid work that’s performed on equal terms, where everyone works for free for something they believe in, where money is not the driving force.
What is your work? How is it organized? Who gets the profits? How much of your time is spent on work? Does a job have to be so much work? What can you do to improve the situation at your workplace? Thoughts to think of, questions to answer…
Maybe you will find some answers in the festival anthology, at the exhibitions or at the comics market during AltCom 2016, the fourth edition of Malmo’s underground comics festival.
AltCom 2016, with support from
and the lovely Kickstarter crowd…